Tuesday, January 10, 2023

Gillian and Caroline Go to Hebden Women’s Disco – Last Tango in Halifax Fan Fiction 1.7

For context please be sure to read the previous chapter, Gillian and Caroline Go to Hebden Women’s Disco – Last Tango in Halifax Fan Fiction 1.6

The full list of this Last Tango in Halifax fan fic episodes can be found in Last Tango in Halifax Fan Fiction.

CAROLINE’S HOUSE. LATE AFTERNOON.

John pulls into Caroline’s driveway, and finds a Mini Cooper parked in it. Lawrence comes out of the house.

LAWRENCE
Popsicle!

JOHN (to Lawrence)
What are you and Angus up to?

LAWRENCE
Angus?

JOHN
Isn’t this his car?

LAWRENCE
No, it’s…

Caroline with Flora, and Charlie come out of the house chatting gleefully. John sees them.

JOHN
Who’s that vixen with your mum?

LAWRENCE
That, Pops, is mum’s new woman.

JOHN
Barb?

LAWRENCE
You need to get your eyes checked, Pops. She’s called Charlie.

Flora is showing Charlie something on Caroline’s mobile while Caroline is locking the door. John walks over to them.

JOHN
Caroline.

CAROLINE
John! What are you doing here?

JOHN
I’ve come to collect my things.

CAROLINE
Great! But we’re off to Gillian’s for dinner.

JOHN
(addresses Charlie) Hello. I don’t believe we’ve met. I’m Caroline’s husband, John. (extends hand)

CAROLINE
Ex-husband!

CHARLIE
Hi. I’m Charlie. (shakes John’s hand)

FLORA (to Charlie)
Let’s watch this in the car. Would you sit beside me?

CHARLIE
(to Flora) Sure, why not. (turns to John) It’s nice meeting you, John.

Flora leads Charlie to the car. Caroline is delighted to see Flora has already warmed up to Charlie.

JOHN
So we’re off to Gillian’s.

CAROLINE
We are. Not you. You weren’t invited.

JOHN
I’ll come back for my things some other time then.

CAROLINE
No! You’re already here. (hesitates, but she desperately wants John out of her house for good) You can stay and collect your things while we’re at Gillian’s.

Caroline unlocks the door.

CAROLINE
There’s a spare key in the console in the foyer. You can return it the next time you see Lawrence. And if you want to be useful, you can also walk Ruth.

John cringes.

CAROLINE
I’m kidding! I know you don’t like dogs. I’ve got to go. Bye!

FAR SLACK FARM, LIVING ROOM. EARLY EVENING.

Celia’s looking out the window.

CELIA
Caroline’s here!

Alan joins Celia.

CELIA
Who’s that woman she’s with?

ALAN
She must be Charlie.

CELIA
Charlie’s a woman?

ALAN
It’s probably short for Charlotte.

CELIA
Why do those people have to change their names?

ALAN
(raises eyebrow) Those people? (gives Celia a stern look) It’s not uncommon for Charlottes to go by Charlie.

CELIA
(looks at Alan) You’re thinking I’m old-fashioned. (notices he’s disappointed) I’m a work in progress.

Alan puts his arm around Celia. They join the others to meet Charlie.

ALAN
Hello! (warmly) You must be Charlie.

CHARLIE
Yes, I am. Nice to meet you. (shakes Alan’s hand)

CAROLINE
Alan’s me stepdad, and this is me mum, Celia.

CELIA
How d’you do, Charlotte?

CAROLINE
(to Celia) She goes by Charlie.

CHARLIE
It’s fine, Caroline. Nice to meet you, Celia. (shakes Celia’s hand)

CAROLINE’S HOUSE. EARLY EVENING.

John has finished packing his things. He paces around the kitchen. Ruth looks at him.

JOHN
What are you looking at?

Ruth starts sniffing around. She becomes restless.

JOHN
Oh God. Do you have to go?

Ruth barks.

JOHN
For the love of Caroline. (looks around, finds the leash, grabs it) Come on, Ruth.

MOOR NEAR CAROLINE’S HOUSE. EARLY EVENING.

John walks Ruth at a moor where she does her business. He cleans up after her.

JOHN
(disgusted) The indignity! See what you’ve reduced me to, Caroline! Is this useful enough?

A couple walking their dog sees John talking to himself or the dog. They can’t tell. John realizes he’s not alone. Embarrassed and mortified, he gives them a gormless smile. He waits until they are out of earshot.

JOHN
You’d better tell your mistress what I’ve done for you, Ruth. Maybe I should tell her myself. What do you think?

Ruth barks.

JOHN
I’m glad you agree with me. Let’s go then. I have a dinner to crash.

Ruth barks again, runs after a squirrel, and drags John with her.

JOHN
Ruth!

GILLIAN’S HOUSE, DINING AREA. EVENING.

Everyone’s engrossed at Gillian’s storytelling.

GILLIAN
So, I demonstrated how to catch the sheep and asked for a volunteer to try what they’ve learned. This bloke, a haughty one. You know…the type who wouldn’t listen to a woman.

CAROLINE
Oh, we’ve all encountered one of those supercilious blokes.

Everyone at the table agrees.

GILLIAN
So this bloke…

WE FLIP BACK TO —

TEACHING FARM, CATCH PEN. AFTERNOON.

Gillian’s inside the catch pen with her haughty student.

GILLIAN
Remember, always approach sheep calmly and slowly.

The bloke runs after the sheep, alarming and making it restless.

GILLIAN
Guys, this is an adult sheep. It’s quite strong. It’s better to grab the rear flank.

The bloke grabs the hind leg instead of the rear flank as Gillian advised. The sheep kicks him strong enough to knock him on his behind.

GILLIAN
Oh! Are you okay? (walks over to help him up)

Bloke: (demurs) I’m okay! I’m okay!

The bloke now grabs the throat instead of the jaw.

GILLIAN
Grab the jaw! Not the throat! Keep it’s head up to maintain control.

The sheep’s head is down. It wriggles violently as the bloke struggles to control it.

CUT TO:

GILLIAN’S HOUSE, DINING AREA. EVENING.

GILLIAN
Guess what happened next?

ALAN
What?!

CELIA
Don’t keep us in suspense.

GILLIAN
The sheep somehow managed to grab by its mouth the bloke’s hair, which happens to be a toupee, and ran with it!

Everyone laughs.

LAWRENCE
No way!

ELLIE
Sounds like an episode of LAADS.

LAWRENCE
Yeah! Can I sit in on one of your classes, Gillian?

CAROLINE
I don’t think that’s a good idea, Lawrence. You could get her in trouble.

LAWRENCE
I won’t. I promise!

CALAMITY
Did the sheep eat the…erm…

FLORA
Toupee?

CALAMITY
Yeah, that one!

GILLIAN
No! We got it back! And…he put it back on his head!

They chortle. There’s a knock on the door.

GILLIAN
(still laughing)
Who could that be?

RAFF
Maybe it’s the bloke. He wants a new toupee.

CHARLIE
One made of wool.

Everyone laughs. Gillian goes to answer the door.

GILLIAN
John! What are you doing here?

JOHN
I’m here to see Caroline.

Gillian lets John inside her house. They head towards the dining room.

GILLIAN
Is something wrong?

JOHN
Oh no, no, no. Things are fine.

CAROLINE
(surprised) John! What are you doing here? Is Ruth all right?

GILLIAN
(perplexed) Ruth?

CAROLINE
The dog.

GILLIAN
Right.

JOHN
Oh, yes, yes, she’s fine. She ran after a squirrel, but she’s fine. (proudly) I walked her. (smiles)

CAROLINE
Why are you here then?

JOHN
I came to return your spare key.

CAROLINE
You didn’t have to drive all the way here to return it.

JOHN
Don’t you want it?

CAROLINE
Yes, I want it. Hand it over.

John goes over to where Caroline is sitting. He demurs having realized he’s giving up access to her house, but relents.

CAROLINE
Thank you.

JOHN
Don’t mention it. (he starts picking at Caroline’s pie) Mmm…this pie is scrumptious. From where’d you get it?

CAROLINE
(proudly) Charlie baked it! (she looks at Charlie, beaming)

John almost spits it out his mouth.

CAROLINE
I guess you’d better be going.

JOHN
Since I’m already here. (addresses Gillian) Can I stay for dessert?

Gillian looks at Caroline. Caroline shrugs.

GILLIAN
Okay…you can sit at the kiddie table. Calamity, Flora! Make room for Uncle John. (she puts a slice of pie on to a plate and hands it to John)

JOHN
(laughs, realizes Gillian’s not kidding)
Oh, you’re serious.

GILLIAN
There’s no space at this table. Go on then.

John begrudgingly goes over to the kiddie table to join Calamity and Flora.

ELLIE
So, Charlie…you and Caroline met at the Hebden Women’s Disco?

CHARLIE
Erm…summat like that.

CAROLINE
She was the one who treated my hands.

JOHN
(shouts from the kiddie table)
What exactly happened at that disco?

CAROLINE
What happens in Hebden Women’s Disco, stays in Hebden Women’s Disco!

LAWRENCE
Unless someone takes a video of you. (he pulls out his phone)

CAROLINE
(sternly) Lawrence! You are not to show that video to anyone!

RAFF
We’ve already seen it anyway.

Caroline buries her face in her hands.

CELIA
I haven’t!

CAROLINE
(looks up abruptly) You are never to see that video, Mum!

CELIA
Why? Is it pornographic?

Everyone laughs even Caroline.

ALAN
Oh, this has been fun, but it’s getting late. We’d better head out.

CELIA
Yes. It’s getting hard to drive in the dark.

ALAN
It has been lovely.

CELIA
(addresses Gillian) Thanks for hosting, love.

GILLIAN
Thanks for coming, Celia, Dad.

Gillian hugs Alan and Celia, and they head to the door. The guests head to the living room. Caroline starts cleaning up, and Charlie helps her. John watches them furtively from the kiddie table where he’s finishing his pie.

LAWRENCE
Charlie! You joining us?

CAROLINE (TO CHARLIE)
You go mingle.

CHARLIE
You sure?

CAROLINE
Let the family get to know you. (looks at her with pride and delight, gives Charlie a kiss)

CHARLIE
(smiles) You’re the boss. (goes to the living room)

John is unenthused.

GILLIAN’S HOUSE, LIVING ROOM. EVENING.

Charlie sits beside Lawrence.

CHARLIE
Lawrence, I hear you play rugby.

LAWRENCE
Yes...since you brought it up, I had a heavy tackle the last time I played and am feeling pain here...(points to the right side of his abdomen) Could you take a look?

ELLIE
Lawrence!

Raff laughs. Ellie slaps Raff’s chest with the back of her hand and glares at Lawrence.

Lawrence (to Ellie): What?

CHARLIE
The last person who asked me that died. He played rugby just like you. Ruptured spleen after a heavy tackle. It was weeks after the injury before the pain worsened. By then it was too late. He died in the ambulance. Massive internal bleeding after the blood clot from the injury dislodged and tore his spleen.

Lawrence, Raff, and Ellie look horrified.

LAWRENCE
Seriously?

CHARLIE
I’m kidding!

The three laugh nervously.

CHARLIE
Just so you know, the spleen is on the upper left side of your abdomen. Tucked in under the ribs. You pointed at the lower right side of your belly.

Lawrence heaves a sigh of relief.

CHARLIE
You probably have an inflamed appendix.

The four of them laugh.

CUT TO:

GILLIAN’S HOUSE, KITCHEN. EVENING.

John goes over to Caroline who is washing dishes.

JOHN
Isn’t she too young for you?

CAROLINE
Is that why you’re here? To pass judgment?

JOHN
You and her. It’s inappropriate.

Caroline scoffs, gets nasty, but in a hushed voice careful not to call the attention of the guests in the living room.

CAROLINE
Don’t lord your moral rectitude over me. Apart from no virtuous person would do so, you forfeited any moral superiority you have when you left me and the boys to shack with a pisshead.

JOHN
You’re never going to let that go, are you?

CAROLINE
And why should I?

JOHN
Haven’t I paid enough?

CAROLINE
No.

JOHN
She’s the same age as William.

CAROLINE
She’s not.

Gillian senses tension in the kitchen, and checks on Caroline.

GILLIAN
Is everything okay here?

CAROLINE
John’s just leaving.

GILLIAN
You know where the door is, John.

John passes through the living room on his way out.

JOHN
Lawrence we’re leaving.

LAWRENCE
You are. I’m not. I’m leaving with mum and Charlie. Charlie’s telling us the most fascinating cases she attended.

John looks defeated. He leaves as laughter erupts inside the house.

Read continuation in the next Last Tango in Halifax fan fiction episode: Gillian and Caroline Go to Hebden Women’s Disco – Last Tango in Halifax Fan Fiction 1.8

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